Lagos , the foremost commercial city in Nigeria and indeed West Africa , has experienced both the highs and lows of rapid growth and urban expansion. It was once an upbeat city — and it remains so, though its evolving modern outlook now redefines what is acceptable in public life and urban conduct. In earlier decades, street traders were fewer, and homeless individuals often sought shelter beneath flyovers, largely due to the unchecked influx of migrants into the state. Lagos was — and still is, the preferred destination for Nigerians seeking greener pastures. Unsurprisingly, many prominent individuals and families from both the northern and southern regions of the country have, at one time or another lived and worked in Lagos. As Nigeria’s former federal capital, Lagos housed most high commissions, embassies, and corporate headquarters. However, the relocation of the federal capital to Abuja in the 1990s significantly altered the city’s social and economic landscape. Lagos Island , ...
Rather than tracing the historical origins of rap music , this reflection focuses on its beauty, lyrical dexterity, and evolution. My earliest exposure to rap dates back to the disco era — images of hip-hop enthusiasts carrying stereo cassette players on their shoulders, performing electric and break dances at street corners. From the outset, it became clear that rap cannot be separated from hip-hop culture . Since it emerged from the African-American communities in the United States, the genre has since evolved into a global cultural force. Living in Lagos , what fascinates me most about rap is its masterful wordplay , rhythmic flow, punchlines , and expressive intensity. Over the years, I have observed that within competitive rap culture, those celebrated as the “best” are often not the romantic or flamboyant performers, but the lyricists who combine speed, authenticity, punchline precision, freestyle dexterity, and unmistakable hip-hop attitude. Whether delivered in...
/////////////// Num. 22:7-8 Scripture tells us that God is not a man that He should lie, nor the son of man that He should repent. Beforehand, through the angel, God had already made it clear to Prophet Balaam that He would not consent to Balak ’s request to curse Israel. Therefore, the subsequent divinations and sacrifices administered and supervised by Balaam were products of his own crafty imaginations—not divine instruction. This narrative mirrors modern dilemmas. Especially, when we find ourselves contemplating decisions about weighty matters on which a supreme authority—God—has already made a categorical statement. When we cannot persuade a Balak-inclined client or associate to abandon such intentions, wisdom may require that we distance ourselves entirely. Avoiding certain meetings or negotiations may prevent us from entering agreements that might later become snares from which we might not easily extricate ourselves. Written by Tunde Saduwae, tundea...
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